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Holy Motors
Holy Motors
2012 7 9.3K views saved
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Holy Motors

2012 7 9.3K views saved
Holy Motors

We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

Countries: FR
Languages: French
Runtime: 1hrs 56min
Status: Released
Release date: 2012-07-02
Release format: Streaming — Sep 28, 2012
Comments
manicure
@manicure 4 years ago

Carax can say whatever he wants in his interviews, but this is obviously a film about cinema. It opens with the director himself waking up after a long slumber (this is his first feature film in 13 years) and finding out that cinema as he knew it has either died or fallen asleep. Then we are taken to some kind of dystopian world where actors are constantly in a hurry to perform different roles in front of invisible cameras, with huge limousines acting as the “holy” motors of cinema that move people from one life to another. One can be unsure about the purpose of playing a part for no audience, but all we can do is to keep going to honor the “beauty of the act”.

Inadequacy and the inability to catch up with the digital age are recurrent themes in the film; even the limousines seem to fear being disposed of in a world where technology has to be invisible. While cinema used to be the most accomplished way to create new worlds, and actors had the privilege to become someone else, anyone can play different roles on the internet.

Far-fetched interpretations aside, Denis Lavant’s stand-out performance and the wide variety of genres and atmospheres we manage to visit make “Holy Motors” a unique and engaging cinematic experience. It might feel a bit cold the first time, but will keep growing under your skin afterward.

There are also tons of references to both the directors’ and the cast’s previous works: Denis Lavant reprises his role from “Tokyo”, Edith Scob wears a mask like in “Eyes Without a Face”, Wilkinson from “Bad Blood” gets mentioned, we get to see the now-gone Samaritaine department store from “Pont Neuf”, Kylie Minogue’s songs get played at parties, etc. Jean’s wig also looks dangerously similar to Jean Seberg in “Breathless”.

3
manicure
@manicure 4 years ago

Carax can say whatever he wants in his interviews, but this is obviously a film about cinema. It opens with the director himself waking up after a long slumber (this is his first feature film in 13 years) and finding out that cinema as he knew it has either died or fallen asleep. Then we are taken to some kind of dystopian world where actors are constantly in a hurry to perform different roles in front of invisible cameras, with huge limousines acting as the “holy” motors of cinema that move people from one life to another. One can be unsure about the purpose of playing a part for no audience, but all we can do is to keep going to honor the “beauty of the act”.

Inadequacy and the inability to catch up with the digital age are recurrent themes in the film; even the limousines seem to fear being disposed of in a world where technology has to be invisible. While cinema used to be the most accomplished way to create new worlds, and actors had the privilege to become someone else, anyone can play different roles on the internet.

Far-fetched interpretations aside, Denis Lavant’s stand-out performance and the wide variety of genres and atmospheres we manage to visit make “Holy Motors” a unique and engaging cinematic experience. It might feel a bit cold the first time, but will keep growing under your skin afterward.

There are also tons of references to both the directors’ and the cast’s previous works: Denis Lavant reprises his role from “Tokyo”, Edith Scob wears a mask like in “Eyes Without a Face”, Wilkinson from “Bad Blood” gets mentioned, we get to see the now-gone Samaritaine department store from “Pont Neuf”, Kylie Minogue’s songs get played at parties, etc. Jean’s wig also looks dangerously similar to Jean Seberg in “Breathless”.

3
Movie Machine
@loicboyer-at-gmailcom 3 years ago

Strange movie, I liked it a lot but I feel it's very personal, give it a try...

1
Giuseppe Garofalo
@giuseppegarofalo 3 years ago

A dreamy journey into the consciousness of a human being. We are unable to distinguish the real from the fictional, and Carax plays with our expectations in a Lynchian way (e.g., the Club Silencio in Mullholand Drive). In the end, we are left with the possibility to connect emotionally with the various masks, a task I found hard, unfortunately.

1
shau rya
@sure-yeah 3 months ago

this had me entertained and thinking at the same time. i loved it.

0
KDob
@tehmarvelman 9 years ago

**Some thoughts:** This movie is illogical. This movie is artistic. This movie is engaging in the way you're grasping for logic, but almost justifiably frustrating in how it gives you no clarity. But maybe I'm just looking too hard. In any case, I can't really rate this movie, or artistic movies like it because the standard I use for ratings is based on logical plot and characters. This movie is in a category of its own, but I did enjoy the experience.

0
Caty
@catyalexandre 11 years ago

Holy shit!

I can't say that I understood the meaning of every single thing, theres to many symbolisms hiding in it and sometimes can be so bizarre! Above all it's a film about great performances.

I am sure that Holy Motors will definitely have an impact on you and at the end you can take your own interpretation of the story, if there's one...

2
ragreynolds
@ragreynolds 10 months ago

I have an urge to eat flowers and bite fingers

1
Siggi
@siggi963 8 months ago

Completely weird, crazy and over the top. It feels like a (baad) dream. A special movie for fans of visual arts.

0
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