
K.O.

A former fighter must find the missing son of an opponent he accidentally killed years ago, taking on a brutally violent crime gang in Marseille.
A former fighter must find the missing son of an opponent he accidentally killed years ago, taking on a brutally violent crime gang in Marseille.
Good action, great fight scene's especially in the bar. Justice was well served.
I would enjoy a follow up movie. 👍
K.O. is one of those films that doesn’t pretend to be anything else: straight-up action, violent and relentless. The plot is just an excuse to watch UFC star Cyril Gane unleash his physical power on screen. And while the story doesn’t break new ground, the frantic pace and fight sequences make sure there’s no time to get bored.
The main character carries a past marked by guilt and is forced back into violence when a new conflict arises. By his side, a police officer who doesn’t always follow the rules provides an interesting contrast, though the film barely explores her motivations. Everything moves fast, with the spotlight firmly on the punches and chases.
What really works here are the brutal action sequences. Gane may not be a versatile actor, but physically he delivers exactly what’s expected: strength, agility, and sheer presence. Some scenes, like the nightclub fight or the one in the police station, are shot with a raw energy that recalls the best of modern action cinema.
Anyone looking for depth or layered drama won’t find it here. K.O. keeps things simple: brutal fights, occasional comic relief, and a tight runtime that plays to its advantage.
In the end, it doesn’t reinvent the genre, but it does exactly what it promises: ninety minutes of stylized violence and fast-paced entertainment.
Good action, great fight scene's especially in the bar. Justice was well served.
I would enjoy a follow up movie. 👍