

The Courier

After shrewdly seizing his chance to join a money-laundering scheme, a modest valet dives into a world of fast cash, fast cars — and an inevitable crash.
After shrewdly seizing his chance to join a money-laundering scheme, a modest valet dives into a world of fast cash, fast cars — and an inevitable crash.
Daniel Calparsoro returns to what he does best: a fast-paced thriller, shot with energy and determination, that never stops to catch its breath. El correo hooks you with rhythm and staging, with chases and twists that keep the tension alive, even if the feeling of “I’ve seen this before” comes up more than once. It doesn’t try to change the rules of the game, but it does manage to keep you glued to the screen from beginning to end.
The economic and social backdrop gives the story an extra layer of interest, evoking a period marked by ambition and shady deals. It doesn’t dive too deep, but it adds a touch of realism that grounds the characters and gives some weight to what could otherwise be just pure action.
The cast works well overall, with solid performances and a few characters who stand out more than expected. Many roles feel familiar, but the energy they bring helps prevent them from being completely flat.
Visually, the film looks slick, with an ambition that aims to place it among international thrillers. Sometimes that ambition feels a little forced, as if it wants to look bigger than it really is, but the result is still stylish and appealing.
In the end, El correo is pure Calparsoro: rhythm, intensity, and a straightforward style that doesn’t let up. It may repeat formulas and not surprise much, but as entertainment it works just fine and delivers exactly what it promises: a good time.
"money corrupts, a lot of money corrupts a lot", money that comes easy, easy goes away.
It’s just ok one time watchable
Imagine a man who starts as a driver and becomes a competitor in illegal money transport.
The film tells the story of a con artist rising to the peak of corruption surrounding the real estate bubble after the euro’s arrival in Spain.
The movie is enjoyable in terms of action and the main character’s adventure. However, the screenplay and supporting cast were weak. The villain wasn’t very strong—either underdeveloped or simply weak.
Overall, it’s an average film—acceptable but not suitable for a fun night in.
Age Rating: 18+
Film Rating: 5.5/10
Daniel Calparsoro returns to what he does best: a fast-paced thriller, shot with energy and determination, that never stops to catch its breath. El correo hooks you with rhythm and staging, with chases and twists that keep the tension alive, even if the feeling of “I’ve seen this before” comes up more than once. It doesn’t try to change the rules of the game, but it does manage to keep you glued to the screen from beginning to end.
The economic and social backdrop gives the story an extra layer of interest, evoking a period marked by ambition and shady deals. It doesn’t dive too deep, but it adds a touch of realism that grounds the characters and gives some weight to what could otherwise be just pure action.
The cast works well overall, with solid performances and a few characters who stand out more than expected. Many roles feel familiar, but the energy they bring helps prevent them from being completely flat.
Visually, the film looks slick, with an ambition that aims to place it among international thrillers. Sometimes that ambition feels a little forced, as if it wants to look bigger than it really is, but the result is still stylish and appealing.
In the end, El correo is pure Calparsoro: rhythm, intensity, and a straightforward style that doesn’t let up. It may repeat formulas and not surprise much, but as entertainment it works just fine and delivers exactly what it promises: a good time.