Judy & Punch

The music in this is really great, Mia Wasikowska is always amazing, and I weirdly like how the comedy combined with the violence makes every time I laugh uncomfortable, like I'm no better than the people in the movie laughing at the ultra violent puppets. Also I can't even describe how I gasped when [spoiler] Punch tripped and threw the baby out the window, I was so concerned for that baby the minute he set her down in front of the fire [/spoiler] and that was THE LAST THING I expected to happen. So it gets points for surprising me.

Quite a clever retelling of the Punch and Judy puppet show, with good period detail and a fun cast. It is quite macabre at times, though as the original show tells a twisted tale anyway, this can only by expected.

A fascinating socio-political study of proto-feminism mixed with exceptionally dark comedy

The debut feature from Australian actress turned writer/director Mirrah Foulkes, working from an idea by English actress Lucy Punch (which, given the subject matter, seems like it's a joke, but isn't) and her brother Tom, Judy & Punch is a (very) dark comedy that presents the fictional background behind the early years of the (in)famous puppet show. Essentially a study in proto-feminism, a look at :pound_symbol:MeToo sensibilities applied to a very un-:pound_symbol:MeToo society, it's a strange mixture of Monty Python-esque slapstick and serious social critique, taking in misogyny, domestic violence, witchcraft, social stratification, and the exploitation of old age, and wrapping it all up in a gleefully anachronistic and pseudo-magical realist aesthetic, not entirely dissimilar to what you might find in the work of Angela Carter. It's a curious mix that really shouldn't work, and, for many, it probably won't. I can see some finding the tonal balance too skewered towards socio-political protest for it to work as a comedy, whereas others will argue that the comic elements undermine the seriousness of the socio-political agenda. For me, although the film is a beat too long at 105 minutes, I thought Foulkes just about got away with the tonal balancing act – most of the humour lands and most of the political material is well-handled. She's also helped immeasurably by strong performances across the board and a stunning visual design, which is especially accomplished given that this is her first feature.

For my complete review, please visit: https://boxd.it/SOAmj

Looks promising, funny and but crazy