
Motherland

Shortly after the fall of the iron curtain, 12-year-old Kovas, travels to his mother, Viktorija’s homeland for the first time. It has been 20 years since Viktorija escaped the USSR and has now returned to reclaim her beloved family estate.
The look is interesting from the child's point of view (we hear the conversations of adults only from a distance). This distancing is also from the viewer, we identify with the child as foreign observers, but at the same time it takes away a certain emotional effectiveness from the film. A story in which there are few, if not any, surprises, shot with solvency, with close-ups that express the confusion and that sense of isolation that the protagonist has.