Wallace & Gromit: Vengeance Most Fowl

After 35 years they still make movies with the same quality as the first one. Incredible.

And nice that Wallace still have his german voice actor since the first movie!

An absolute joy to watch and everything you wanted in a Wallace & Gromit adventure.

“Wallace & Gromit: Vengeance Most Fowl” is the kind of movie that proves some stories don’t get old—they evolve, take on new layers, but never lose their charm. After nearly two decades without a feature-length adventure, Nick Park and the Aardman team don’t just bring Wallace and Gromit back; they do it with such confidence, it feels like they never left. That signature quirky humor, the delightfully absurd storyline, and the handcrafted visual style are all still intact, but there’s also a fresh energy that keeps the film from feeling like a rehash or just a nostalgia grab. It’s a movie that understands exactly what makes this franchise so beloved and builds on that foundation to create something new without losing its identity. There are no forced attempts to modernize things, no cheap nods to passing trends—just a return to what always worked: lovable characters, impeccable visual comedy, and that unmistakable stop-motion charm, crafted with passion and obsessive attention to detail.

The story kicks off with Wallace (Ben Whitehead) leaning even further into his impulsive and eccentric ways, while Gromit remains the silent voice of reason—or, more accurately, the facial expression of reason. This time, Wallace decides to create Norbot (Reece Shearsmith), a “smart” garden gnome designed to make his life easier and take some of the workload off Gromit. But, as with pretty much all of Wallace’s well-meaning but disastrous inventions, things spiral out of control fast. Chaos erupts when Feathers McGraw returns for revenge, hacking into the robotic gnomes and turning them into his own mechanical army. It’s the kind of premise that would sound way too ridiculous in most franchises, but in the world of Wallace & Gromit, it makes perfect sense. The story unfolds with the expected mix of adventure, comedy, and cartoonish suspense, once again putting Gromit in the thankless position of having to save Wallace from his own creations. It’s a familiar formula, but it never gets old thanks to the sheer brilliance of the execution.

The film’s comedic timing is a masterclass in itself. Aardman is one of the few studios today that truly understands the art of visual humor, and here, they take it to the next level. Every scene is crafted with a near-mathematical sense of rhythm, blending exaggerated facial expressions, perfectly timed reactions, and tiny background gags hidden in the scenery. As always, Gromit steals the show with his exasperated looks and ability to say everything without saying a word. But the film’s biggest ace is the return of Feathers McGraw, still one of animation’s most brilliant and enigmatic villains. He doesn’t need dialogue to be menacing—his cold, calculating stare does all the work. Aardman nails the balance between comedy and tension, making sure the absurd humor never feels random and the action sequences actually feel exciting. The film’s climax, for example, delivers a chase scene that could easily rival some of the best live-action action set pieces.

Visually, the film is nothing short of stunning. While so many modern animated films rely on generic CGI, “Vengeance Most Fowl” is a testament to how powerful stop-motion can be when done right. The texture of the characters, the intricate details of the sets, and the carefully crafted lighting make every frame feel alive—like you could reach out and actually touch the Plasticine figures. The way light reflects off surfaces, the sense of physicality in every object, and the sheer craftsmanship of Wallace & Gromit’s world create a level of charm that digital animation simply can’t replicate. This is one of those films where the animation technique isn’t just a method—it’s an essential part of the film’s identity.

The voice acting is top-notch as well. Ben Whitehead, stepping into Wallace’s shoes after the passing of Peter Sallis, does an impeccable job, capturing the character’s wide-eyed enthusiasm and childlike optimism without ever feeling like an impression. But, as always, it’s the silent characters that leave the biggest impact. Gromit, with his endless range of expressions, remains one of the most brilliantly realized animated characters ever—a true master of silent comedy. And Feathers McGraw, with his unsettlingly blank stare, proves that sometimes, saying nothing is far more intimidating than a villainous monologue. Every gesture, every tiny movement is fine-tuned for maximum personality and comedic impact, and that attention to detail makes all the difference.

All in all, “Wallace & Gromit: Vengeance Most Fowl” isn’t just a triumphant return for the duo—it’s a reminder of everything that makes Aardman such a special force in animation. It doesn’t try to reinvent the franchise because it doesn’t have to—what made it great in the first place still works, and now it works even better. In an era where so many animated films feel like they’re designed to please algorithms or chase fleeting trends, watching something so genuinely fun and meticulously crafted feels like a breath of fresh air. More than just a movie, it’s proof that sincere creativity never goes out of style. Wallace and Gromit are still relevant, still hilarious, and above all, still utterly irresistible. And if this film proves anything, it’s that no matter how much animation evolves, there will always be room for a well-told story—and for a certain beady-eyed dog saving the day yet again.

Absolutely hilarious! The comedic timing is spot-on and what that penguin can do with a look is unmatched. I was watching it on my own at home and burst out laughing too many times to count! And it’s so wonderful to see more traditional types of animation persisting with excellence.

Checks all the boxes. fantastic addition to the WGCU.

I love the Wallace & Gromit short films and movies. They’re always so funny, delightful, and exciting. Vengeance Most Fowl is a great sequel to The Wrong Trousers and I’m so glad there’s another Wallace & Gromit film featuring Feathers McGraw because he’s such a fun villain. I do wish he had more screen time in this, though, but the time he has is always great. It always impresses me how much emotion and acting Aardman is able to convey with silent characters like Feathers and especially Gromit. Ben Whitehead is also amazing as Wallace to the point where I almost forget that it’s not Peter Sallis doing his voice. I also remembered that I somehow never got around to watching A Matter of Loaf and Death so I really need to rectify that very soon!

I support Penguin rights and Penguin wrongs!!!

Brilliant, hilarious, and what better way to comment on misuse of AI than stop motion animation. A huge improvement on last year's new Chicken Run

They're back, and they're as brilliant as they've always been!

It might be early in the year, but I really thought [Evil Norbots whooping] was gonna win caption of the year, but then they dropped "there's nothing more reassuring than an uninformed police officer" and I'll see you in the afterlife

Triple-distilled British twee humour and constant, legendary film references make for some extraordinarily comfy Christmas viewing. So good and even more enjoyable a second time, Wallace and Gromit: Vengeance Most Fowl is a delightfully warm animated treat to cap off the year, and one that will almost certainly join the Christmas film rotation from here on out.