

The Devil's Bath

In 1750 Austria, a deeply religious woman named Agnes has just married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her inner prison.
Never had I seen such a raw and disturbing portrayal of how deeply poisoning religion has always been. Of course, such times were hard enough to live in because of environmental reasons, but the way these superstitions and many more are rooted is saddening and enraging because they create unnecessary, absurd and deep malaise in people’s lives, especially women. What is even more saddening is that this dogma is not behind us, but it has only mutated into other forms of the bleak world view that Christianity represents.
I had never felt so sickened by a depiction of a fest.
Also, Anja Plaschg gave a tour-de-force performance, the kind of raw and committed acting that seldom receives the praise and attention that it merits, similarly to Aisling Franciosi in The Nightingale.
I wish I will have the stomach to revisit this brilliant film in the near future, and I can’t wait to see what other stories Franz and Fiala have to tell us.